Midnight Owl Video

[midnightowl1]

Femalien
 1996 Surrender Cinema

The Girls: Jacqueline Lovell, Vanessa Taylor, Taylore St. Clair, Michelle Barry, Kathleen Mozzatta, Holly Cat, Leigh Matchett, Bobbie Marie, Summer Leigh, Stevi Conrad, Roxanne Miller, Stephanie Hudson, Skylar Nicholson

Preliminary Notes: Unrated Director’s Cut reviewed. DVD version reviewed.


Opening Credits
(0:00-2:04)

Spacecraft move through the universe (the special effects are a few notches below 2001: A Space Odyssey territory) and through the narration we discover that Kara (Venesa Talor) is on a mission to Earth to find out about human relationships.

Welcome to Earth
(2:04-4:2

Kara is completely nude in a nice house (we only see her from the hips up). A masculine voice gives her instructions and she heads upstairs to get dressed. There is a nice shot of her wearing white thong panties while topless, including an okay shot of her buns. From her vantage point she can see her next door neighbors in their backyard. We cut to the neighbors. The woman is wearing a bikini and the guy is in a business suit. She wants him to rub oil on her but he’s afraid of getting the substance on his suit. A topless Kara watches from her upstairs perch.

Naughty Neighbors
(4:28-16:42)

The guy continues to rub lotion on the girl. Kara rubs her own breasts while watching all of this. The man leaves for some important business. The woman continues to rub herself and, at one point, pulls aside her bikini bottoms and exposes her vagina (remember, this is the unrated version). The man returns and the two start to kiss, including some tongue play. The guy’s shirt comes off, as does the woman’s top. He fondles her breasts and Kara, watching from the next house, starts to fondle her breasts. The guy kisses the woman’s breasts and she pulls his pants down and performs (simulated) oral sex on him. Kara is seen rubbing different parts of her body, mainly her stomach and her legs. The guy pulls the woman’s bikini bottoms off and he performs (simulated) oral sex on her. They engage in softcore intercourse in the missionary position and, at one point, with the guy behind. Kara is getting aroused and places her hands down her panties to masturbate.


Kara Needs Food
(16:42-20:06)

After a discussion with the masculine voice Kara is reminded she needs food for the human body she inhabits. She appears at a café where Sun (Jacqueline Lovell) is the owner. Jacqueline looks great in (and out of) all types of clothing, but tight jeans look especially nice on her. Kara orders a lot of food, and the male chef (Drew) makes a play for her.

The Hot Tub Vulture
(20:06-22:20)

A bad guy enters the scene. Sun’s café is right next door to a successful hot tub salesman. He has the mortgage to Sun’s diner and is kicking her out so he can expand his hot tub empire. He also is taken with Kara and invites her over to his place of business. Sun spills hot coffee on herself and runs to a backroom, followed by Kara.

Fun in the “Sun”
(22:20-25:22)

In the back room Sun takes her coffee stained shirt off, exposing her breasts. Kara touches Sun’s chest and Sun is magically transported to a lounge chair under the bright sun. (Get the double-entendre? Fun in the “Sun”). Next comes some great Freeze-Frame Moments, as Jacqueline (as Sun) is completely nude on the chair. She runs her hands over her body down to her vagina and the camera follows along. Jacqueline gets the full-frontal treatment as the camera ogles every centimeter. This segment could have been better if Jacqueline turned over and gave the world a nice view of her buns but still, over all, this is what nudie cutie movies should be all about. Back at the diner Sun talks with Kara a little longer, still topless. She puts on a dry top and sends Kara off to meet a photographer.

Shiny Love
(25:22-33:22)

Kara enters the photographer’s studio. He is having problems getting his models to look anything but bored. He asks for more passion and Kara volunteers to help. She takes the male model’s hand and places it on the female model’s breast. There is some sort of bright flash and a zap (the same thing sent Jacqueline naked to that sunny lounge chair). The models start to become passionate. The black jump suits (I’m not sure what they are) get unzipped as they kiss. There are nice shots of the girl’s breasts and buns. I believe this girl is uncredited in this film (she has no speaking lines) but a couple of sources indicate that her name is Stacy Leigh Mobley. Soon both models are completely nude. There is breast kissing and fondling set to a very moderate pace. There is also simulated sex; at least I think we’re suppose to at least believe they’re having sex. At one point their hips are grinding together but the guy’s penis is just hanging there limp, for all the world to see. If Ed Wood were around today and making these sorts of movies this is the type of shot you would expect. The models engage in some more simulated sex and there is more fondling. Kara is watching all this and, while wearing a white dress, begins to fondle herself. The photographer thanks Kara but she is off right away, looking for new experiences.

Can I Help You?
(33:22-34:36)

Kara enters a lingerie store and is amazed by the selection. The two girls who work there, Angel (Stevi Conrad) and Gina (Taylore St. Clair), are impressed by Kara.

Private Fashion Show
(34:36-41:2
Gina and Angel perform a private fashion show for Kara (but of course we get to watch as well). The girls appear modeling all sorts of lingerie leaving little unexposed. Kara likes to watch. There are great shots of buns and even some full-frontal nudity on the part of Gina. The two girls start to kiss and Kara, extremely aroused, squeezes her breasts. The girls fondle each other and the lingerie starts to come off. Both girls are topless at first and there is some breast kissing. Angel ends up completely nude except for a pair of gloves. She kneels on the floor in front of Gina and performs simulated oral sex on Gina. There is a great shot of her buns and vagina as seen from behind.
Afterwards the two girls give Kara an outfit as a gift and invite her to a party that’s going to be very kinky. Kara returns to the café and meets up with Sun and Drew.

What is Kinky?
(41:28-45:02)

Kara asks Drew what “kinky” means. She also tells him, to his amazement, that she wants to get intimate with him. He’s not sure she means what he thinks she means but after Kara gives him a passionate kiss he’s convinced. He has a chore to do for Sun before he can take his break but Kara follows him into the back room and makes him go to sleep. She then transports him to her bedroom. After a discussion with the masculine voice Kara kisses Drew and wakes him up. He’s confused as to what exactly is going on, but after Kara offers to take her clothes off his concerns are quickly forgotten.


Drew Gets Lucky
(45:02-52:00)

This segment is absolutely great. Kara crawls back on top of Drew, this time completely nude (it might have been nice to see her strip). Drew rubs her buns and they kiss. We get our first peak at full-frontal nudity on the part of Kara. Drew kisses her breasts then works down her stomach and kisses and licks the top portion of her pubic hair. There is simulated oral sex. Next its Kara’s turn to kiss down Drew’s stomach towards his crotch. He still has his pants on and Kara pulls them down and begins to kiss his underwear. She pulls his underwear off and starts to kiss the inside of his leg very near his penis (you can just see the top of his penis and Kara’s face is right there). They engage in simulated intercourse, first in the missionary position, then with Kara on top. After the sex Drew tells Kara how great she was. Kara says she is glad she could be of service (I’m sure there are a lot of guys who wouldn’t mind that sort of service). Kara asks Drew if he wants to attend this kinky party with her but he says he has to get back to the diner of Sun will be angry. Kara makes Drew go back to sleep and zaps the both of them back to the café, now fully clothed, though they both were nude when she did her zapping.

Performance Art?
(52:00-1:00:10)

Kara enters a theater where a woman wearing black lingerie is jabbering about the human body. There is a girl on a wheel behind her in lingerie and another girl in white lingerie walks up onto the stage. The music begins (I guess as the show begins) and the woman kisses Kara, who has a front row seat. The girl in the white lingerie starts to dance while wearing just a bra, thong panties, garters and stockings. The girl on the wheel has her top pulled off and a pair of gloved hands emerging from behind starts to fondle her. The woman in the black lingerie fondles the girl on the wheel and then starts to fondle the girl in the white lingerie. She feels her breasts and buns while her own lingerie falls a bit exposing her nipple. Audience members, including Kara, start to get aroused and kiss and fondle themselves. The girl in the white lingerie loses her bra and there are nice topless shots of her. The girl on the wheel gets her bottoms pulled off by the gloved hands and there is full-frontal nudity on her part. The girl in the black lingerie pulls down the panties of the girl in the white lingerie, exposing full-frontal nudity. The woman in the black lingerie fondles the girl. The girl turns around and gets her buns fondled. Then the woman in the black lingerie licks the white lingerie girl’s butt very quickly (not on the cheeks up right in the crack). The audience members are getting hornier and a breast is exposed. The girl in the black lingerie has her lingerie pulled down, exposing a breast. She grinds her hips with the girl in the white lingerie.
Kara returns to the café and meets up with Sun and Drew again. She needs more food. Sun goes to get her more food and she and Drew have a private moment together. We find out that Sun is really upset about losing her business.
Kara next ends up next door at the hot tub store for a massage. She is shown in by a blonde woman and, no big surprise, the hot tub vulture has decided to give her the massage personally. She drops her clothes and is completely nude. The hot tub guy offers her a towel and she asks if she needs one. He tells her no as he leers at her body.


Massage by Kara
(1:00:10-1:05:3

Kara lies down on her stomach on the table. There is a great shot of her rear. The hot tub guy starts to massage her back. Kara asks the hot tub guy about the deed to Sun’s café but he is very distracted. She turns over and there is great full-frontal nudity on her part. She offers to give him a massage and straddles him and rubs his shoulders while she is still completely nude. She zaps him and there is a bright flash of light, and the hot tub guy acts like he is reaching orgasm. The hot tub guy, disoriented, agrees to give Sun the deed back. Kara gets it and runs off next door where Drew tells her where to find Sun.
Kara heads off for the meditation chamber. She finds Sun and gives her back the deed.


The Mediation Chamber
(1:05:38-1:16:30)

At the meditation chamber Kara lets Sun in on her powers by zapping all the others in the chamber, and an orgy breaks out. There are three couple. Two of the women are blondes, and there is a cute brunette who appeared fully clothed in the theater segment. According to the credits Gina from the lingerie shop should be one of the girls as well, but I’m not sure I recognize her here. Also on of the blondes looks like adult film star Brittany Andrews, who may have also appeared in the audience at the theater. White robes start to come off as couples kiss. There is breast licking and fondling all over the place. Much of the action takes place while the girls have thong panties on and the guys have their underwear on. One blonde ends up nude before the rest and there are nice full-frontal shots of her. Soon the rest of the clothing comes off, including the shorts of one guy who appears to have an erection. Kara and Sun, still fully dressed, continue to watch the proceedings. There is some pretty good softcore sex here.
The hot tub guy enters with a police officer and points out Kara as the one who stole the deed.

Caught Red Handed
(1:16:30-1:19:1

As the police officer goes to apprehend Kara he is distracted by the naked girls. He is pulled into the group and Kara and Sun are able to make their getaway. They return to the café. Sun has decided just to let the hot tub guy have the place, because she’s sure she won’t win out in the long run. Kara, to make an impression, zaps Sun back to her place. Kara confides in Sun that she is an alien.


I Kissed An Alien
(1:19:18-1:26:00)

Sun and Kara kiss while sitting on the foot of the bed. Sun really wants to go for it and in the very next shot both girls are completely nude in bed. We start with Sun lying on her back on the bed and Kara working her way up Sun’s body. There is some nice fondling and a great shot of Kara’s buns as she lies over Sun. There is simulated oral sex as Kara works between Sun’s legs. Sun kisses Kara’s breasts and the girls kiss on the lips. There is a very nice shot of Sun’s buns as she performs oral sex on Kara. There are more great shots of both girls’ bodies as the move into different positions.

A New Life
(1:26:00-1:27:20)

As the two girls lie in bed naked they discuss starting a new life together. They remember Drew and zap him into bet right next to them. A little more fondling ensues and the movie ends.







Credits

Sun Jacqueline Lovell
Matt Shue
Kurt Schwoeble
Kara Vanessa Taylor (as Venesa Talor)
Gina, Meditation Woman Taylore St. Clair
Girl Cop, Theatre Woman Michelle Barry
Frank Juan Carlos De Vasquez
Jean Kathleen Mozzatta
Harry Carlos San Miguel
Celeste Holly Cat
Paul Everett J. Rodd
Debra Leigh Matchett
Girl Toy, Meditation Woman Bobbie Marie
Boy Cop Rob Lee
Wheel Girl Summer Leigh
Dak Stu Gotz
Angel Stevi Conrad
Rub Down Attendant Roxanne Miller
Danielle Stephanie Hudson
Theatre Woman, Meditation Woman Skylar Nicholson
Theatre Man, Meditation Man Bobby Young
Theatre Man, Meditation Man Bobby Johnston
Theatre Man, Meditation Man Adam Wilde

Casting By
Pat Siciliano
And
Keely Rene

Director of Photography
Allen Smitty

Music Composed By
Ollie Wood

Edited By
Barry Byrne

Story By
Randy Fontana

Screenplay By
Sybil Richards

Executive Producer
Pat Siciliano

Directed By
Sybil Richards